Join us as we premiere our latest short film Fly Hard! There will be a photo booth, entertainment, and chances to win prizes. We will be selling DVD’s to raise money for film festivals, and promotion, and we will have a special discount for this one night only. We will also be screening other local filmmaker’s films and trailers, so you can see the best in Rhode Island independent film all in one night. Come to the Route One Cinema Pub at 8pm for a great time!
Happy Halloween everyone! This year we have something special for you…a new short film! This one’s called The Business Trip, starring Brandon Allan and Wayne Malm. Directed and edited by Chris Machado. Sit back, turn the lights off and enjoy!
We have some big news that everyone has been waiting for…Fly Hard is almost here! That’s right, our new short film is just about finished and has a set date for a premiere!
Watch the new trailer, get excited and tell all of your friends! We hope to see you all there for the big event!
The premiere of Fly Hard will be on November 15th at 8pm at the Route One Cinema Pub. Come out to meet us, watch some great local independent films and have a few laughs!
Route One Cinema Pub: Washington Square, 652 E Washington St, North Attleborough, MA 02760
Check in weekly to see behind the scenes footage and interviews, and to find out more about the film and the premiere party!
With our second short film One Eight Seven, we knew we had to step up the production value. The only way to do this on a low budget was to learn how to make my DSLR look like it was shot on a film camera. Although DSLR will never be film, you can come close with these tricks.
-Film at 24 Frames Per Second (or 23.976)
This will give you the motion blur you have come to know and love from film. Try it out, film something at 24fps and then 30fps and see the difference. 30fps will be a smoother, more “video” feel.
Shooting your shots “flat” (with low contrast) will help your camera retain as much color information as possible, which will give you more detail in the dark and bright areas. What this means is you can push the colors much further and achieve a better result during color grading. An extra step, but it is worth it.
-Use an ND Filter
Don’t compensate for bright light by cranking up the aperture unless a deep depth of field is what you want. Put on an ND filter and you can achieve that shallow depth of field look that is closely associated with film. I like to use a variable ND filter so I don’t have to fiddle with 5 different strengths.
We pointed out in our last post how crucial location scouting is in the process. Having a good location goes hand in hand with the next point.
-Shot Design Is Key
Shot design encompasses a lot of things. Depth, color, contrast, symmetry, placement of objects, and lighting are all things that can make a big impact on how your shot not only looks, but “feels”.
Camera movement is usually subconscious to the viewer (if done right), but it can make a great impact on how your audience feels. Things like camera height, direction, type of movement, and speed all play into the feeling of the movie. We will go deeper into this in a future post.
Lighting is arguably the most important aspect of cinematography. A movie with bad lighting almost always seems low budget, so you want to avoid that. We will go deeper into lighting in our next post, since that deserves to stand on it’s own.
Read more about production in our next post, which will be about lighting! Learn how you can use light to set a mood and invoke emotion in the viewer.
Comment below with some of your tips on stretching the value of your budget!